|
|
Author |
|
Message | |
|
sean Downsizer Moderator
Joined: 28 Oct 2004 Posts: 42219 Location: North Devon
|
|
|
|
|
Sarah D
Joined: 28 Oct 2004 Posts: 2584
|
|
|
|
|
sean Downsizer Moderator
Joined: 28 Oct 2004 Posts: 42219 Location: North Devon
|
|
|
|
|
Treacodactyl Downsizer Moderator
Joined: 28 Oct 2004 Posts: 25795 Location: Jumping on the bandwagon of opportunism
|
|
|
|
|
tahir
Joined: 28 Oct 2004 Posts: 45669 Location: Essex
|
|
|
|
|
Bugs
Joined: 28 Oct 2004 Posts: 10744
|
|
|
|
|
tahir
Joined: 28 Oct 2004 Posts: 45669 Location: Essex
|
|
|
|
|
Gervase
Joined: 17 Nov 2004 Posts: 8655
|
Posted: Thu Nov 18, 04 11:01 am Post subject: |
|
A lot depends on the wood. Pine and softwoods tend to soak up the stain to a greater depth than hardwoods, so getting rid of colour can be a bugger. Also, if any end grain is showing on the work, the dye will have penetrated deeply into the fibres, so they will always remain darker.
Oak can be bleached with oxalic acid, but it's highly poisonous and needs care in use.
On a pedantic note, the passion for natural wood is a fairly modern thing - particularly with pine and other softwoods. In the past they were always painted or at least limed. You can even let your fancy run riot: the Victorians and Edwardians produced some beautiful marbling effects using oil paints applied with scrunched cloths and feathers, while artificial wood-graining using two-tone paint and combs was also popular. It's all a matter of taste, though, and you have to live with the finished result! |
|
|
|
|
sean Downsizer Moderator
Joined: 28 Oct 2004 Posts: 42219 Location: North Devon
|
|
|
|
|
Gervase
Joined: 17 Nov 2004 Posts: 8655
|
|
|
|
|
tahir
Joined: 28 Oct 2004 Posts: 45669 Location: Essex
|
|
|
|
|
Treacodactyl Downsizer Moderator
Joined: 28 Oct 2004 Posts: 25795 Location: Jumping on the bandwagon of opportunism
|
|
|
|
|
sean Downsizer Moderator
Joined: 28 Oct 2004 Posts: 42219 Location: North Devon
|
|
|
|
|
Treacodactyl Downsizer Moderator
Joined: 28 Oct 2004 Posts: 25795 Location: Jumping on the bandwagon of opportunism
|
|
|
|
|
|